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Friday, 28 August 2009 

Moving to Lightroom - Sorting the wheat from the chaff

Part of a series of posts detailing my slow move into the brave new world of Adobe Photoshop Lightroom.

I have my photos split between a working area, which holds the current month and a bit photos and an archive of everything else.
The archive is managed with iview, but the working area is managed by a whole mish-mash of tools including Downloader Pro, BreezeBrowser, Capture One, Photoshop, Qimage and a few custom tweaks and scripts.
The working area is where I will be concentrating on using Lightroom.

Once a month I move the previous months photos from working to archive, before I do that I do the following:
1. Delete all the pictures I don't want to keep 2. Add star ratings 3. Ensure all metadata is written to the files correctly

Item 1 was my first candidate for Lightroomification. At the moment it is a relativly simple process of opening each directory in Breezebrowser, running a slideshow (ctrl A, ctrl S), tagging each reject (up arrow), then selecting all rejects (f6) and pressing delete.

So is this any easier in Lightroom? In the Library module I an select the entire months images in one go...which is better. I can then run in "Lights out mode" (L,L) using the arrow keys to move through the images and flag the rejects (x to reject, U if you accidentally rejected something), then use the delete rejects option and you are done.

The big advantage of doing this in Lightroom is you get to see the post-processed images, rather than the jpeg preview you get on Breezebrowser, this can make a lot of difference. There is consequently a delay sometimes in building the previews but it doesn't seem particularly onerous & you don't have to wait for it to complete. I'm not sure what else Adobe do to the previews but they do look really good in LR for some reason.

The only option I really miss from my old way of doing things is a quick B&W view. In breezebrowser I can simply press ctrl+w and the image is displayed in black & white, pressing it again switches to colour. There doesn't seem to be an equivalent to this in Lightroom*.

So far it looks like a win for Lightroom.

*Oh hang on a sec - looks like pressing V does that...marvellous!

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Wednesday, 2 May 2007 

Digital Photography Workflow Part 4 (Archiving)

The final part of my workflow is to archive the files so that they are protected from disaster and so that I can find pictures when I need to. So once a month I archive off the previous months working directory to my archiving system.

First I go through the months images using the Breezebrowser Pro slideshow facility and delete out any images I don't want to keep. Sometimes I also find images that missed my attention first time around and they get processed in the usual way.

Next I load the images in to a temporary iView Media Pro catalogue and do some fine level keywording classification. During the load process images already receive a lot of keywording so this process covers things like the names of people in the shot and descriptive words like emotions and colours.

Once the keywording is complete the keywords are written back to the files using the synchronise command in iView.

The months files are copied and created as a new directory on my heard of buffalo. Finally these files are imported into an iView database covering the entire archive.

My Workflow

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Tuesday, 24 April 2007 

Digital Photography Workflow Part 2 (Processing)

In Part1 I covered capture and getting the images on to the PC

Having downloaded all my files to my PC, Downloader Pro then launches straight into Breezebrowser Pro for the initial sort out of images. Breezebrowser Pro is a great tool for handling batches of raw images, it makes it easy to email proofs, generate webpages, edit metadata and sift through a group of images in slideshow mode.

Sorting the wheat from the chaff

The first thing to do with my images is to delete the duff shots from the shoot. First I check that BBPro is in the "High Quality" mode (Ctrl+Q) which applies screen sharpening to each image which makes it very easy to see the sharpness of an image.

I then select all the images in the shoot (Ctrl+A) and display them as a slideshow (Ctrl+S). I move through the slide show using the right arrow key and tagging any images for deletion using the up arrow key. At the end of the slideshow I select only the tagged items (f6) and send them to the recycle bin (del).

The number of images I delete on this first pass varies with the type of shoot: on a carefully measured landscape shoot there would only be one or two deletions but if I was trying to shoot dogs running about on a windswept beach over half the shots can be rejects due to the conditions and the models not being too co-operative!

The reason that I can be quite harsh with these deletions is that my download procedures make sure I always have a backup of every image. If I delete an image then the backup becomes the only copy of the image, so that’s why I use the recycle bin – just in case I decide that I shouldn’t have deleted it.

Deciding what to process

I could use the built in raw converter in BBPro or the converter built into Photoshop – both of which could be started automatically from BBPro but unfortunately I find that Capture One (from Phase One) produces the best results. The current version of Capture One doesn’t support a way to start it in a particular directory, so I have to start C1 and then navigate to the right directory and file to do my more detailed viewing and raw processing.

I now use the full screen view in C1 to work through the images tagging those which will be worth running through the raw converter.

Processing in C1

The raw processing in Capture One consists of the following:

  • Adjusting the White Balance
  • Adjusting the Exposure
  • Outputting as a 16bit tiff

The processed file then opens automatically in Photoshop.I won’t detail the whole process as Keith Henson has done a great job in his Capture One Tutorial.

Photoshop

The first job in Photoshop is to view the image at 100% and clone out any dust spots using either the clone tool or the spot healing brush tool.

Usually I like to keep my images close to what comes out of the raw convertor but the extra processing depends on the images but may consist of:

All adjustments are done on layers then the image is saved back to the tiffs sub directory.

For security, all the files mentioned in this part of the workflow (raw, tiffs & web-ready) are backed-up using the Microsoft Synctoy tool, which is set to backup the machine from a scheduled batch file.

In part 3 I will be cover Outputting the image to web and print.

If you are getting a sense of Deja-vue that is because this blog was originally in the Articles section of the site...but I'm having a tidy up!


My Workflow

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