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Friday, 16 October 2009 

Charity Exhibition

Yup it's that time of year again when I organize the Daiwa Securities Charity Photography Competition and hold an exhibition of my work.

the exhibition of the winning entries and my pictures is on display in the foyer of Daiwa Securities SMBC, 5 King William Street, London EC4N 7AX. The foyer is open from 8:00am - 6:00pm.

My pictures are on sale at specially reduced exhibition prices with the profits going to the companies' two charities War Child and Demelza House Childrens Hospice.

Remains of the Day
(really would look good on your wall)

With only 70 shopping days to Christmas, now is the time to pop down and bag yourself a bargain present whilst helping charity at the same time.

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Thursday, 16 April 2009 

Police delete tourists photos

Thursday, 9 April 2009 

Photograpny ban on Downing Street ?

I was listening to an interview tonight with former Home Secretary David Blunkett, about the news that Britains most senior anti-terrorism officer was sacked for accidentally allowing photographers to get a shot of a confidential document he was carrying.

Amazingly David Blunkett thought that it raised questions about whether the photographers should be there (in a designated press area no less) and whether they should be authorised to be there. Even worse people were phoning up to agree that it was the photographers who were a security risk.

Whatever next? should we ban photography from any part of London because someone important might be carrying a document about? Should we ban people who aren't civil servants from using the trains because they might pick up a memory stick that some member of the government has left on the train (again)?

Sheesh!

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Thursday, 2 April 2009 

G20 Protests round two

After the excitement of yesterday things were expected to be much calmer today. I decided to head down to bank and check out the damage. Things weren't too badly damaged, but a lot of graffiti had appeared.


My Banker

As far as I can work out the protesters were against the war, against the bank bail-outs and in favour of West Ham United!




Graffiti on The Bank


The Duke of Boots in front of The Royal Exchange bore the brunt of some unusual graphic abuse too.


Mine


Italic
Message for the fallen


Yesterday a protester died of a heart attack and at lunchtime a small group walked into the Bank square to lay flowers and leave messages for the unknown protester.


I think you may have...

As more people arrived scuffles broke out, arrest were made and the square closed down to prevent more protesters joining the fray.


Questions



Foot and Flowers

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Wednesday, 1 April 2009 

G20 Protests in London

CLICK ON ANY IMAGE TO VIEW LARGE

Today seems to be National Get It Off Your Chest Day, thousands of protesters descended on the city of London to protest about Capitalism, bank bail outs, the war in Iraq, the war in Afghanistan, climate change, pensions and squirrel abuse.

Policing the Freedom Bus


Looking at the Law

Yes, today was the day of the much feared and hyped G20 protests. As we walked from Liverpool Street station it was clear that the city was undecided on what it's response should be to the threat.
Some banks had taken down any identifying symbols, closed the front doors and were pretending no one was home. Other buildings were completely boarded up.

On the steps of The Royal Exchange


Five marches converged on Bank junction from all directions. As they marched through the city they were watched from the sidelines by thousands of city workers dressed down in jeans & casuals.

Bank Junction

As soon as the last of the marches had arrived at the Royal Exchange it became clear that the police were implementing a strategy of containment.

No Entry

Press Pile

Slowly chains of policemen were formed preventing the protesters getting out. The lines were doubled up and vehicles were inserted blocking the roads completely.

Holding the Line

I moved round the area attempting to get closer to the action but being trapped inside the Police cordon didn't seem like a good idea. As it certainly seemed that although the vast majority of people were not up for trouble, a few seemed like they might be.

agent provocateur


Masked Man

Wandering round the area I came across Russel Brand and attempted to do a bit of papping. Walking backwards taking a shot of a celebrity and not bumping into the other photographers is harder than it looks - well that's my excuse for the shot not being sharp!

Russel Brand

Billy No Mates

Round by Mansion House I came across an American journalist doing a piece to camera. I listened as he told his viewers that the police were clearing the square. Actually they were doing the complete opposite!

Talking Tosh

An hour later and things got a bit tense as a group of demonstators broke through the police line and trashed a branch of RBS. The riot police went in and it was all soon over. The police lines were restored.

After the Riot

Police Lines

From there I found a tiny group of proestors blockading Tescos..no idea why though.
Your More

Over in Bishopsgate the entire road had been turned into a climate camp, things were extremly good natured and rather fun.

Nature...

Policimg the Climate Camp

The day went well with almost everyone getting to demonstrate peacefully and things went off much better than predicted.

But the main impression I came away with was how amazingly polite and professional every policeman I met was. They dealt with a difficult situation with tact and humour - makes you proud to be British.

The Bobby is back

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Sunday, 11 January 2009 

London Light/London Life

I've just updated my gallery of images from central London - London Light/London Life.


Blue & Gold

I wasa bit tardy on this project last year, one of my new years resolutions is to get out in to London and do a bit more shooting. Hope you enjoy the shots.

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Wednesday, 19 November 2008 

Take A View - Award Presentation

I was fortunate enough to be asked to cover The Landscape Photographer of the Year award presentation on monday for Ephotozine. You can read my journalistic efforts here.

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Wednesday, 12 November 2008 

What a difference a photographer makes (part 2)

In part one I discussed an evenings photography I had enjoyed with Ian Flindt and Kevin Goodchild. There I discussed the difference in our approaches to creating an image of Tower Bridge.

This time, I'd like to show the images we produced when left completely to our own devices in Central London.

Click on the images to view them large.

As the clouds came over and the more interesting light was lost, Kevin made use of his excellent observational skills. This image of a contemplative figure sat lost in thought, with the financial centre of Canary Wharf behind him really sums up the day for me. When you know that this was taken on the day that a couple of banks collapsed and the financial markets were in turmoil, it makes you wonder what the person in the shot is thinking.


Contemplation
by Kevin Goodchild


Ian managed to arrive well before Kevin and I and (quite characteristically) seemed to magic up some fantastic light. He then managed to wait till the people were in exactly the right positions to achieve this interesting and very beautiful composition. Shortly afterwards I arrived bringing my own personal rain-cloud with me!


City Hall, London
by Ian Flindt


As the sky clouded over the saturation of certain colours increased quite dramatically, and I found interest in a fountain right near tower bridge. The rust on this figure emerging from the water produced some great colours and helped me produce my very first nude abstract.

The Back Side
by Chris Shepherd

I find it fascinating that we were all using similar equipment and spent most of the evening quite close to one another yet we produced such different images. It really shows that it is the photographers eye, not their equipment that makes the picture.

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Saturday, 8 November 2008 

What a difference a photographer makes (part 1)

I always really enjoy getting out and taking pictures with other photographers. Recently I had the pleasure of getting out with two excellent photographers, Ian Flindt & Kevin Goodchild.

We decide to spend an evening around the Tower Bridge area of Central London. I thought it would be interesting to show how different photographers can interpret the same themes. This is a two part post. In this first part, I'd like to show how the three of us interpreted the same scene within a few minutes of each other.

Please click each image to view a larger version

Kevin produced a beautifully constructed image which uses the dolphin fountain to full effect. The eye is lead round the curve of the fountain, past some lovely reflected light, up to the bridge itself and then you finally notice that huddle of 3 figures, which add an element of scale and interest that would otherwise be missing.

Tower Bridge
by Kevin Goodchild



In characteristic style Ian elected to show as much of the context of the bridge as possible. He was able to find a new viewpoint and use wide angle to maximum effect, to bring the gates of St.Katherines Dock into the composition. The Gate, river wall and bridge work to create a dynamic zig-zag through the image.

Tower Bridge
by Ian Flindt



My images tend to have as little in them as possible and I felt I would be happier if I could get a clear view of the bridge. I found my way (through a gate that is normally locked at this time of night) down on to the lower pier. This gave me a chance to take the shot from river level with tower bridge towering over me.

Tower Bridge
by Chris Shepherd

In part 2 I'll look at what we produced when given a completely free reign.

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Thursday, 18 September 2008 

If you are in Central London next week.....

..why not visit my latest exhibition?

I have an exhibition of pictures on display in the foyer of Daiwa Securities SMBC, 5 King William Street, London EC4N 7AX. The foyer is open from 8:00am - 6:00pm.

My pictures are on sale at specially reduced exhibition prices with the profits going to the companies' two charities War Child and Demelza House Childrens Hospice.

Chocolate Orange
(really would look good on your wall)

With only 98 shopping days to Christmas, now is the time to pop down and bag yourself a bargain present whilst helping charity at the same time.

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Tuesday, 3 June 2008 

Are you talented?

Talent is a strange concept really, is it "god given" (pick your own god) or is it just the result of hard-work and dedication?

People seem to use the word talented as though there is no effort involved "she's a talented singer" seems to mean that the person in question was born able to sing anything put in front of them instead of having spent years of dedication, determination and practice to get to the stage she is at.

At exhibitions I have been called talented (yeah I know..go figure) and it always throws me to know what to say about in response. I mean it's easy enough to get similar pictures: learn how to use your camera, learn what images work, take an interest in your subject, practice, get to the right location at the right time with the right weather, compose the image, take the picture, learn how to PP and print it....simple - if you are motivated to do it.

Ginger Smiles

No one is born knowing the relationship of aperture to shutter speed, the first time you use a macro lens or a wide angle a new world is opened up to you that you had never seen or imagined before.

If you are interested in a subject and you really want to get better and you are prepared to work hard and practice - you will get better. Natural talent doesn't really enter into the equation. Craig M. Tanner sums this up far more eloquently than I do (well he is a naturally talented writer) in this article entitled The Myth of Talent (click on the pdf link on the right - of course those who are naturally talented with web pages will have worked that out).

Since I took up photography I notice so much more in the world from butterflies to gingerbread men. Are my eyes talented or have they just been trained?

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Friday, 30 May 2008 

Southwark Location Reports

As I may have mentioned once or twice I am the Photo Locations Editor for Ephotozine. The idea of the Locations Section is for people to share their favourite photographic location with other photographers, whether it is ideal for Landscapes, Architecture, Wildlife or anything else.

I have just uploaded a couple of reports from Southwark on the edge of The Thames in Central London. The first report covers Soutwark Cathedral and the second Borough Market.

Curves and Shadows - Southwark Cathedral
(Click to view large)




Related Posts

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Friday, 7 March 2008 

London Terror Posters - The Remix

Yesterday I blogged about the new London anti terror posters. Now its time to see the reaction on the web.

Here are some good ones
, some more here though this is my favourite:


by illegalphotos on Flickr


This is a great little video that summarises our rights on the matter.



Related Posts
U.S.A. Photographers Rights
Public Photography and the law
Strictly No Photography

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Thursday, 6 March 2008 

Eeek! I'm a potential terrorist now

I see that the Metropolitan Police Service - Counter-terrorism advertising campaign asks:
Thousands of people take photographs every day, what if one of them seems odd?

Ho hum, I wonder how they define odd? I should think taking a picture of a handrail would look pretty odd to most people:

Handrail
(Click to view large)

I look forward to a trip to Guantanimo Bay real soon.

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Friday, 6 July 2007 

Cloaning and the search for perfection

Yesterday I posted this shot on ephotozine and received the comment that, on the lower landing the floor appears a bit messy and would be improved by a bit of cloning.

Nelson's Apples ~ Somerset House
(Click to view large)

I agree entirely that as an image, the shabbiness of the landing rather distracts from the repeats and curves. But should I get out the clone tool and produce perfection?

The subject of the picture is the Nelson Stairs in Somerset House. The stairs are a very fine piece of architecture, but when I visited them they had quite a worn look and it was really rather difficult to see any part of it that didn't have a bit of damage to them. I composed this shot very carefully to avoid bringing in any of the distracting modern elements - electric lights, fire exit signs and people using the stair case.

But I still could see some of the damage to the staircase in my shot and for me this is the deciding factor on whether to clone out elements of a picture or not. If the image represents what I saw or felt about the image at the time I took the shot then I am happy to leave it as it is. If I take a landscape shot and on examining it later, I notice a coke can in the corner of the shot I am happy to clone it out as it doesn't represent what I saw at the time. For me photography is about capturing a specific moment or feeling and not creating something in the computer afterwards - though if that is what people enjoy doing I have no problem with that.

As another example here is a shot by the great portrait photographer Martin Jordan:

Sanam by Martin Jordan
(Click to view large)

OK, it's a prepared studio shot with a model but to me the fact that there is one stray hair on the side of her face destroys our perception of this being a "perfect shot" yet at the same time roots the shot in reality rather than simply being a "painted mask of ugly perfection"*.

It is so easy to produce a photoshopped version of reality that many photographers become seduced by it but I urge you to think before you reach for the clone tool next time.
What is your personal limit when it comes to manipulation? I'd love to hear some other opinions on this - please use the comments option to add your take on the nature of photoshop & reality.

*Crass - Berkertex Bribe



A New Years Resolution

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Wednesday, 4 July 2007 

The Friday Project - Update

I know that for many of my regular readers, hardly a week goes by with out them thinking to themselves "I wonder if Chris is sticking to his new years resolution ?". So I thought it was about time for an update.

Well it has been a mixed bag: Friday was not the best day to choose, because its not unusual to have to sort out something in preparation for the weekend, so some days got missed. Combining that with loosing so much time to sickness in May, I don't have anywhere near as many shots as I would hope for so I am going to attack the project again with renewed vigour. On the plus side it really forces me to take pictures that I would otherwise not even thought about taking.

Looking at Legs
(click to view large)

Last week I popped over to the South Bank to investigate the Anthony Gormley statues that have invaded the place. I must say that I really enjoyed the sculptures, its great to spend some time looking round for them trying to spot each one. Whilst I was there I observed many people being delighted & surprised as they discovered more and more of the sculptures.

Quite often there were 3 or 4 of the sculptures in view at anyone time which provides a whole new dimension to the cityscape, adding a human dimension to a view that can sometimes seem vast and soulless.

Gormley Towers
(Click to view large)

I'm not sure how long they will be staying on The South Bank but I hope that they stay for a long time.



Related Posts

A New years Resolution

In The City
Permission To Crop

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Sunday, 4 February 2007 

Permission to Crop

Michael Reichmann has recently produced an excellent article on cropping. It has always seemed strange to me that many photographers would not be seen dead using the automatic modes on their cameras yet somehow see it as cheating to break away from the aspect ratio that their camera manufacturer provides.

Cropping is all about finding the shape an image wants/needs to be. As an example lets look at an image I took on Friday at Limehouse Basin in Docklands. Looking at the image as it came off the camera the first thing I did was to use a LAB move to boost the colours and increase the contrast:

20D & 100mm f/2.8 Macro un-cropped image
(Click to view large)

I was trying to convey the feel of the area with the boats surrounded by the very expensive flats, all of which is over shadowed by the giant towers of Canary Wharf. Yet the sheer quantity of things in the image disrupts the message I was aiming for, so I decided on a narrow crop to give the tight vertical feel of a Japanese wall hanging:


final cropped image
(Click to view large)


I still feel its too cluttered and that colour doesn't actually add to the image at all. So the final version ended up as a black & white:


As an image maker it is important to give yourself "permission to crop" and develop a feel for the shape an image should be.

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Wednesday, 24 January 2007 

In the City



So I know you are all wondering if I am sticking to my new years resolution. Well so far I am two weeks in and I haven't fallen off the wagon.

The first Friday was a baptism of fire, well a baptism of overcast skies and rain really. A miserable grey day led to me wandering around The Barbican studying the patterns and shapes in the grey concrete blocks. Eventually I wandered over to The Citypoint building which I never fail to find interesting with its roller-coaster curves and unusual shapes.

This shot is an attempt to capture some of the feel of the building in an abstract way.

Canon 20D & 17-85 EFS
(Click to view large)

A week later and things had brightened up a bit so I headed for Canary Wharf and its brutally modern landscape of tower blocks and under-used docks.

The environs of Canary Wharf have been photographed so many times that everywhere you look is a photographic cliché. So I elected to use my lensbaby2 which never fails to give an unusual view of a scene. The lensbabies manual focusing and sweet spot you can move around the frame make for a very rich and involving way of making pictures.

I ended up at the base of One Canada Square, by the clocks that were really only placed there to give photographers something to shoot. Yet still the magic of the lensbaby provided a new interpretation of the scene.


Canon 20D & LensBaby 2
(Click to view large)

The thing I like about this shot is that I would never have thought of this as a shot I took. Its so far removed from my usual style that it surprises even me.

So, so far I am keeping to my resolution and stretching the boundaries of my work and making pictures that I like. So I reckon it's working.


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Thursday, 11 January 2007 

A new years resolution

OK, I know I'm a little late with this one, but I always think a promise made in the cold light of day is always so much better than one made after a lot of bevies on a new years eve followed by hugging a lamppost telling it that it's your best mate.

Well my photographic resolution is to work harder at my London Light/London Life Project specifically I will get out and take pictures every Friday that I am in Central London.

The reason is, quite simply that I find Central London really difficult to photograph, its busy,cluttered and not really the sort of place that appeals to me at all visually. But that's the point, it's only by stretching ourselves that we find new ways of interpreting the world around us in our photographs.


We choose to go to the moon in this decade and do the other things, not because they are easy, but because they are hard, because that goal will serve to organize and measure the best of our energies and skills.
JFK


Wish me luck with my resolution, it may be one small step for me but it might be a giant leap in my photography.


Treads
Taken on a dull day on The Southbank, London

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